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Burma Chronicles, by Guy Delisle
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Review
“Drawn with charming simplicity and brio, the book mixes traditional travelogue with glimmers of the unexpected.†―The New Yorker
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About the Author
GUY DELISLE spent a decade working in animation in Europe and Asia. In 2005–2006, he accompanied his wife, an administrator for Doctors Without Borders, on a fourteen-month posting in Burma. He is currently working on a graphic novel about a year spent in Jerusalem.
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Product details
Paperback: 272 pages
Publisher: Drawn and Quarterly; Reprint edition (December 7, 2010)
Language: English
ISBN-10: 9781770460256
ISBN-13: 978-1770460256
ASIN: 177046025X
Product Dimensions:
6.2 x 0.7 x 8.4 inches
Shipping Weight: 14.4 ounces (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
42 customer reviews
Amazon Best Sellers Rank:
#118,507 in Books (See Top 100 in Books)
I came to Guy Delisle backwards - I read the three volumes of his "Bad Parenting" first. They are quite amusing, but they are very quick to get through. I was impressed enough to want to read more of his work.I started with "The Burma Chronicles." It's about the one-year he lived in Burma (I'd guess the actual year was 2006 or so) while his wife worked for a French doctors-without-borders type organization. Guy is the primary caregiver for his young son (aged 2 or 3, I'd guess) and spends his days drawing comics, wandering around Rangoon, meeting locals, gleaning information from other ex-pats, and meticulously writing down all of his experiences.Nothing happens in that there is an overarching story, but we get a sense of the country through the various stories he tells over the 250+ pages. It's dense and one should read it over a few sittings, rather than all at once (figure two to four hours total, depending upon how fast you read). Guy has some strong opinions about the world and what is right and what is wrong, but at the same time, he is willing to laugh at himself and he is never afraid to show when he is wrong.A true delight.
Presented primarily in tidy iconic panels, Delisle's Burma Chronicles paints a vivid portrait of the incredibly isolated though vastly intriguing Burma culture examined by a stay-at-home-abroad dad limited by constant governmental censorship. Delisle discovers the Burma regime's intensive censorship campaign while reading a severely-edited Time magazine on pg.9 and commenting "In Myanmar, all magazines go through the censorship bureau. Articles that are unflattering to the country are systematically removed." The theme of censorship and its effects on Burma's citizens is omnipresent throughout the Burma Chronicles. The censorship bureau is acutely thorough, extensively editing the 80+ Myanmarian magazines every week (66). Moreover, the country's censorship extends to individuals. A small magazine snafu in which a government official is apparently criticized results in the mysterious removal of a student from Delisle's private cartooning class (197). A Nobel Prize winner is currently under mandated house arrest for her views against the government (33). Perhaps in response to the censoring nature of the Burma dictatorship, Delisle deliberately renders governmental officials not in his signature simplistic style but in fully-featured and in some instances downright frightening detail, as on page 22 a girl fawning over his baby retrieves her father, referred to merely as "the patriarch," and presents him like a stiff and leering corpse (23). The same drawing style used on this familial figurehead is used to depict the leaders of Burma as well--often in larger-than-life poses-- towering, for instance, over the country's deadly opium fields (207) or bulldozing homes (208). Delisle, by writing this account, is subverting the patriarchy's attempts to impose order through censorship of the Burma people. It makes sense that Delisle's most enriching experience arrives late in the novel when he mediates at a Vipassana temple (246-254). By placing himself into the imposed silence of the monks, he experiences true happiness. He is at initially uneasy, his thoughts spinning wildly on page 250. Then he resolves to enjoy the experience of meditation in solitude. Basking in what amounts to a self-imposed censorship of the external struggles of the world around him, Delisle finds peace. Perhaps the Burma government could learn a lot from the monks who roam the streets, praying and accepting gifts of rice; as Delisle remains silently studying himself under their guidance, he is controlled and contented. His experience is self-reflective, beyond the sway of larger governmental censorship.
This book was very eye opening about daily life in Burma at the time, some of the struggles the NGO and aid organisations go through to bring basic services to the rural populations and how people cope on a day to day basis with the repressive regime. It also showed a turnabout in the gender roles where the husband moved his life to support his wife in her career which is not usually the case. I found that Guy was a little bit of a complainer and at times was irritating, especially when he showed the importance and challenges of the work his wife did. I liked the cartooning style, it was very effective in conveying the tone of what was going on. It is a very good book and I would recommend it.
Once I started this book, I couldn't stop sneaking off to read it. It actually sucked me in and my whole world for 3 days was Burma, in black and white,Not much else to say except that it is really like a blog with drawings and humor peppered here and there. Very easy to digest, and would be a great addition to any PoliSci course or literature course looking to go multi-modal or just change it up a bit.I loved the fact that the hardcover does NOT have a (useless and gratuitous) dustjacket. The image that would be on the dustjacket is actually the hard cover.
That the book is not titled "Myanmar Chronicles" should be your first clue that there will be more than one look at the growing tyranny of the military regime. In a style like that of Pyongyang, he pecks away at the truth underneath the surface of cordial greetings and polite pretending that Burma is not in crisis.However, in an environment not quite as accustomed to totalitarianism, the underbelly is not quite as easy to find as in North Korea and you will get a feeling that the author is not digging deep enough. After all, he is the tourist and the wife who is seeing all the strife, sickness, and poverty.With that said, you will receive both a sense of how it feels to live there and what sets the people apart from others making them unique. There's also more information about the author himself and his motivations when traveling than in previous works, especially in understanding his style of art.Altogether, this is definitely an engrossing work with more experimenting in the author's art and writing style that has some nice payoffs even if it is not as dark or dramatic as Pyongyang.
Great book about a man how finds himself in a strange country, with a baby, not speaking the same language and the things that happens to him. The experience of traveling to a country so different and the language limitation was treated in a very funny way.Very identifiable. I think it the best of the series, followed by Pyongyang.Must read it!!
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